When the Red, Red Robin…Friday Flash Fics by Jeff baker for April 17, 2020.

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When the Red, Red Robin Goes Bob, Bob Bobbin’ Along

By Jeff Baker

“Okay, listen. I’m just glad there’s reception out here and this thing is charged. Yes, I told him to go take a flying leap. Then I told him to drop me off somewhere. So he dropped me by the side of the road. No, I’m not in town, I’m down the road of someplace called Lugnut, Arizona. No, that’s not such a strange name; they used to have a town called Truth or Consequences. Yes, I’m in the desert. I’m okay, I’m on the highway. I’ve got a bottle of water. I just passed a sign, Lugnut is about five miles away. Yes, that’s where we drove out from. We stayed at their motel last night. Yes, they had bathrooms.

Why? Well, he’s a total schmuck! Honest to God I don’t know why I ever went out with him in the first place, let alone lived with him for a year and a half. And the last few months we were about as chummy as Regis Philbin and Kim-Joong-Whatsisname. And he expected me to do his laundry. I could tell because he left the dirty stuff there on the floor of my apartment. And that’s MY apartment! My name’s on the lease, my money pays the bills. What? Why was I out here with him? Well, I had to go to Phoenix, and you know I won’t fly and my car’s in the shop so we took his and we…well, it’s really not that bad a drive from L.A. to…Well, not if you drive fast. Anyway, when he gets back to the apartment he’s going to find his stuff outside, the locks changed and this big, burly…you remember Kitty Doyle’s brother? The wrestler? Yeah, him. He’ll find the wrestler and his stuff in front of the door. Outside. Yes, I’m kicking him out! I don’t think he’ll notice! Yeah!

Anyway, this town was founded by some guy who wanted to build a big diner with a car repair place right on the highway. Location, location, location, wasn’t that what we learned in business class? Well, anyway somebody started calling it Lugnut, even though he wanted to call it Oasis. Yeah, it’s all in this brochure we got at the motel. Hey, can you drive out and pick me up tomorrow? You’re in Rhode Island? Okay, I’ll call a cab. To L.A. Or take a bus. Yes, I can afford it but I’ll charge it to him, he’s got it coming! Yeah. Anyway, when I heard that…”

 

–end–

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Along Comes a Steampunk Spider. April 2020’s Flash Fiction Draw Challenge Story by Jeff Baker

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Note: The prompts for the April Flash Fiction Draw Challenge (thanks Cait Gordon!) were a steampunk story involving a spider set at an apothecary. I send my thanks to Jan Grape for her input and suggestions which made the story better.

The Case of the Apothecary’s Image

(A Lord Julliam Story)

By Jeff Baker

 

Grahame Edgemire was almost dozing as the spider-cart swayed slightly as it traveled through the London streets. He thought he could hear Big Ben chiming two in the afternoon blending with the steady tic-tic-tic-tic of the cart’s tall, metal legs and the gentle whirring of the gears as his husband, Andrew Edgemire, Lord Julliam, studied the urgent summons that had appeared in the morning mail. The bell had rung as the cap had rushed into the house through the airtube. He had smiled as Lord Julliam had recalled the old joke from their boyhood: “Breaking Wind; parcels are here!”

The letter, when they opened the metal capsule had been simple and compelling:

Lord Julliam

Urgent. Apothecary Shop on Letting Road. Today. Afternoon.

Ad Hoc Nominum.

The letter was unsigned. Nonetheless, Lord Julliam quickly put some items in his valise and insisted that Grahame accompany him.

“If I have not mistaken things, it should be someone you would wish to meet,” Lord Julliam had said, holding up the letter. “The incorrect Latin phrase is a sort of calling card, And I doubt he would have summoned me if he were not desperate.”

The spider cart had stopped in front of a small, brick building with an ancient sign: Brewster & Son: Apothecary. Its spindly, thin legs retracted, lowering the basket the two men had ridden in nearer to the ground. Stepping out onto the pavement. Lord Julliam grabbed Grahame’s hand for a moment and smiled. They had actually been wedded only four years, during the intermedium of Princess Mary before King Charles V had taken the throne and Parliament had sought to render such marriages illegal, following the “Scandalous Conduct” of Mary’s Great Uncle Charles IV early in the century. When the vote in Parliament had gone in favor of (as the Times put it) “Man’s Marriage,” they were among those who had decided to make their relationship official. Still, not everyone in Greater London was as accepting, so they were careful with their displays of affection.

The inside of the shop was small and smelled of herbs. Nonetheless, Grahame noted some of the most modern-looking formulas in jars lining the walls.

“Andrew!” the middle-aged man behind the counter said with a broad smile. He was plump and mustachioed, and contrasted with the two men who were tall and slender, owing to a good deal of running, especially following the events of the Runaway Rail-Tube.

“Wonderful to see you again,” Lord Julliam said. “John, this is my husband, Grahame. This is John Copley, a friend of mine from University. Named after our late monarch.”

“It is an honor,” Copley said shaking Grahame’s hand with a sincerely warm look in his eyes. He did not seem to be the same sort of foolish wastrel as John III, who had been called “Ruddy John.”

“After University, I went on to my pursuits of analysis of human actions and the elements of criminality. John here took over the family business. In response to your quizzical look; the ‘Brewster’ on the shop name is that of his Grandfather and Uncle.” Lord Julliam said with a smile. “When he is curious or puzzled, his left eye squints ever so slightly.”

“I must come right to the point,” Copley said. “It is my own nephew, himself a Brewster, and my employee who is in trouble. He is being blackmailed and has turned to me for help. Financial help. He has been caught in an…indiscretion.”

“Of what sort?” Lord Julliam asked.

“With a married woman,” Copley said. “And there is proof of their dalliance, proof acquired here in this very shop where they believed they were alone.” He opened a drawer and took out a stiff square of cardboard. On the cardboard, clearer than any painting or drawing were a man and woman in a fleeting embrace and kiss.

“A Magnus Process print” Lord Julliam breathed. “They are rare and expensive to produce.”

“This was taken through the back window, I believe.” Copley said. “You can see part of the window-frame there,” He pointed at a white line at the bottom of the picture. “And the clock on the wall displays the time: ten-fifteen in the morning.”

“This print is a rare thing, Grahame,” Lord Julliam said, handing his husband the square. “Especially rare because it is a fake.”

“Fake?” They both blurted out the word at once.

“Precicely!” Lord Julliam said, his eyes twinkling. “Can you tell me how I know, Grahame?”

“I can tell you why,” Copley said angrily. “Brewster was imploring me for my help, to pay an imaginary blackmail so Brewster could take the money for himself!”

“And the picture?” Grahame asked.

“The Magnus Process is not only expensive it is time-consuming,” Lord Julliam explained. “The subjects would have to stand stock still for several minutes. The notion of a quick image, capturing a second in time is impossibility at this time. That told me clearly that the print had been posed. The clock’s hands would also have been blurred had they not stopped the clock to identify the time, hoping nobody was familiar enough with the process to realize that it was all faked.” He smiled again, this time directly at Copley. “You are fortunate to have called me, young Brewster may well have talked you out of a good deal more money than he initially said he needed.”

“All he has talked himself into is loss of his current situation,” Copley said angrily.

As the spider-cart headed home, Lord Julliam spoke softly.

“We should consider ourselves fortunate, that we have never been such as young Brewster.”

“Indeed,” Grahame said. “I always consider myself most fortunate indeed.”

 

—end—

 

 

 

Posted in Cait Gordon, Fantasy, Fiction, LGBT, Lord Julliam, Monthly Flash Fiction Draw Challenge, Mystery, Science Fiction, Short-Stories, Steampunk, Uncategorized | 1 Comment

Voyage Into Doubt: Friday Flash Fics by Jeff Baker, April 11, 2020.

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Wanderer’s Bay

By Jeff Baker

We’d traded our sloop in on something with an engine and had spent about a day fishing in the open sea. I guess that was my Stepdad’s idea of “bonding,” and it largely worked. Then the fog rolled in and our engine cut out. After about ten minutes of trying, my Stepdad gave up on starting it and swore under his breath. I had just turned fifteen and hadn’t started driving, let alone working on engines. We tried the radio but all we got was static. This was a few decades before cellphones, but I have a feeling those wouldn’t have worked either.

My stepdad smiled and suggested we break out the oars. We had oars, but I could tell he was worried. I was fishing around in my pockets for my compass when we heard someone call out “Hullo!”

We looked there and saw another ship sitting there in the fog. There was a name on the bow. I couldn’t read it; it was in some foreign script, like maybe Russian.

“Can you help us?” my stepdad asked. “Our engine won’t start, and we’re stuck out here.”

“Don’t know much about engines, but maybe we can pull you back to shore,” The man in the other boat was tall and sunburned, with dark curly hair. “We’re the Swift Traveler by the way.

“We’re the In Doubt,” my stepdad told him.

The man on the Swift Traveler nodded and turned to his crew.

“Autolycus, get the rope over there. Ancaeus, prepare to get this ship back to port.”

A young man pulled off his shirt and shoes and jumped into the water and quickly swam the distance between the two ships, rope between his teeth which he tied to the In Doubt. He then swam back as if he’d been born to the water. When he climbed back aboard the Swift Traveler, the man gave a few orders and their ship started moving, pulling us along with it. In a few minutes we saw the rocky outcropping that marked the entrance to Wanderer’s Bay. We hadn’t been far. The Swift Traveler pulled us back and once we were safely docked, the crew of the Swift Traveler waved and the ship began to head out to sea. My stepdad and I waved.

“Thanks! I’m Ed, this is Sean,” my stepdad called out.

“Jason,” the man in the other ship called out.

We watched them go, their engines as silent as any I’d ever heard.

Gus, the man who ran the shop on the dock listened to our story and said we were lucky someone showed up to pull us in.

“I wouldn’t want to be stuck out there,” he said. “The sea around Wanderer’s Bay is supposed to be haunted. From time to time, old ships and sailors have been seen in the area. Some from long ago.”

I didn’t believe any of that, but one night decades later I looked up some of the names I remembered and what came up was “See; Argonauts.”

 

—end—

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Futuristic High-Rise for Friday Flash Fics, April 2, 2020, by Jeff Baker.

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Exeunt From A Silver High Rise: A Gentlewoman Steps Forward

By Jeff Baker

 

Author’s Note: This week’s picture, a futuristic tower, made me think of a corporate high-rise and The Jetsons. And I’d been thinking of Shakespeare and wanted to combine the two. Instead, I cut to the Shakespearean epilogue. (The story is in there somewhere!) —jsb 4/1/20

 

Behold! Our play is ended! Our victories won, our losses lost.

Yet our players may find that all they sought is not worth all the work!

Office politics is still the same, be it in this far-off century or your own.

Young Felix sought as his reward the approv’l of his Parent

Mighty in his front office, yet Felix exiled to begin in the basement

Home of wand’ring dreams and also a stand-in for the Underworld

(In plays with a trapdoor on the stage!)

Success be Felix’s after much trial, and Romance as well

A trail of loves in every gender and broken hearts

Strewn across the corporate ladder

Title this play then, Labour’s Love Lost

Or The Cold Young Man Alone In His Tower

But it is not a tale of woe for all

For, in truth, it is we, the nameless, faceless bit players

Who fill coffee; bring mail and stock food carts

Who do survive all turmoil unscath’d, and live to live another day

And allow others to claw and scratch

And you, our audience need not fight

For this strange place with its familiar themes has closed for now

Hasten as we turn out the lights.

 

—end—

(With apologies to Wm Shakespeare.)

 

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Short Stories from “Invisible Men,” (1960) edited by Basil Davenport. Reviewed by Jeff Baker (Part Four.)

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Basil Davenport’s “Invisible Men.” (Part Four.)

Sturgeon and O’Brien.

By Jeff Baker

A Topical Note: While I highly recommend this anthology, I would ask that you forgo buying it on Amazon, as their employees are currently (as of March 31, 2020) on strike, protesting health risks in the current pandemic their employers refuse to address.

To conclude this set of reviews of the stories in Basil Davenport’s fine anthology “Invisible Men,” from 1960 we close with two tales of horror; my first encounter with two American masters of the genre, way back in the late 70s when I bought the book in a used store in Albuquerque.

“What Was It?” by Fitz-James O’Brien deals with an old house, young bold adventurers, a rumor of ghosts and the deadly presence of a thing that is never explained. The feeling in the story moves from one of mounting terror to one of pity for the creature. The horror is perfectly conveyed for O’Brien was (as I have said) a master of the tale of fear. The story was first published in 1859 and has not aged a day, as befits a classic. It has been reprinted every decade of the 20th Century and into the 21st. O’Brien, however, did not live to enjoy his literary successes for long; he enlisted in the Union Army at the start of the Civil War and was killed in 1862, not by bullets or battle but by disease. His stories have been collected and remain in print. Early science fiction as well as masterful tales of dread, marking O’Brien as worthy of comparisons to the other great American master Edgar Allan Poe.

“Shottle Bop” by Theodore Sturgeon, blends a bunch of clichés into one story: Invisibility, an unseen world, ghosts, the mysterious little shop and a magic potion. In this case, the potion is sold to our narrator by the proprietor of The Shottle Bop (“We Sell Bottles With Things In Them” reads the shop sign.) The shop and its owner are a blend of the humorous and the sinister. (I imagined the owner being played by Billy Barty, right down to the Peter Lorre voice.)

The potion gives the narrator the ability to see the ghosts that inhabit our world, while the dead cannot see him. The descriptions of the ghostly are evocative and wondrous, proving Theodore Sturgeon as a writer who earned comparisons to Bradbury for his themes and his prose. The story speeds along with encounters with ghosts both funny and tragic until he ignores a warning…

Sturgeon’s skill as a fantasist needs little recapping here. Suffice to say his work, including “Shottle Bop” is readily available, including in a multi-volume Complete Stories. Paperback editions of his story collections are easier to find and all are worth it.

It has been over forty years since the summer when I spent a couple of evenings reading “Invisible Men,” and I am now a published writer of fantasy and horror, sowing the seeds planted all those years ago by these imaginative tales.

—-jeff baker, March 31, 2020

ADDENDA: Interested readers might want to seek out Davenport’s companion anthology to this: “Deals With The Devil,” featuring stories by Henry Kuttner, John Collier, DeCamp and Pratt, and of course Stephen Vincent Benet.

Posted in Basil Davenport, Books, Edgar Allan Poe, Fantasy, Fiction, Fitz-James O'Brien, Fletcher Pratt, Henry Kuttner, Horror, Invisibility, Invisible Men, John Collier, L. Sprague DeCamp, Reviews, Science Fiction, Short-Stories, Stephen Vincent Benet, Theodore Sturgeon, Uncategorized | Leave a comment

The Cat Came Back; Friday Flash Fics by Jeff Baker for March 27, 2020.

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The Cat Came Back

By Jeff Baker

 

I’d never slept in a church before, especially not a deserted one, but it beat spending another night on the street. Anyway it was cold in the city and I didn’t want to get picked up by the cops as a runaway which technically I was, as a sixteen-year-old whose parents had bailed on him. I’d been lucky; I looked older than I was and I’d found some places to work and live over the last few months. But I kept out of trouble; a youth center was no place for a gay teenager in 1977. Which brings me to the church.

I’d been warming my hands over a fire in a trash can under a bridge, feeling uncomfortable about the way a couple of the bigger guys were looking at me when I overheard somebody saying something about the old church on Haley Street. It was closed up, I knew that, but someone else had told me earlier that people stayed away from the church and that it wasn’t a church anymore, and that “it wasn’t a place where anybody would go, not even the cops.”

I wandered away from the fire; the big guys didn’t follow me. I guess they just wanted the fire to themselves. I looked around and walked down the street, turning a corner and taking a zig-zag route in case I was being followed. It was after midnight when I found the church, a one story building in a run-down neighborhood. The street light in front of the church was burned out or shot out. The only light was another streetlight a block away. I looked around again and climbed over the sagging wire fence that someone had put up a while back. There was dead, brown grass about a foot tall around the little building which was about the size of a convenience store. I kept imagining giving the cops my usual spiel: that my name was Bryce Going, that I was nineteen and seeing the country and that somebody had stolen my wallet with my I.D. and cash. I shuddered and felt my way around the building. The back door was boarded over, but I pulled at it and I could crawl through into the church as the board snapped back into place behind me. I looked around; most of the windows were boarded-up too. I pulled out the little pocket flashlight I’d bought months ago (thank God I had a warm jacket!) and flashed the beam around the room. Floor solid; some broken glass around the edges of the room: pew toward one end, a Christmas decoration hanging lazily from a beam in the ceiling. A couple of worn, felt banners hanging on the wall. When I was sure I was alone, I turned the light off, dusted off the nearest pew and lay down, using my gym bag as a pillow. I started to doze, glad at least that the church was sealed-off from the wind and open air and was somewhat warmer than the outside. I was falling asleep, hearing my own breathing in the quiet and the far off sounds of the highway.

There was a noise in the church, a rustling sound. I sat up, wide awake, breathing hard. I fumbled for the flashlight. I saw movement on part of the floor dimly lit from the light from between the boards on the windows. A small, grey-white kitten crawled from under a chair. I could hear the purring in the quiet of the church. I smiled and sighed with relief.

The purring grew louder. It filled the room, it filled my ears. The kitten began to puff out, swell and then grow. In instants it was the size of a horse, and then its ears brushed the roof. The purring was deafening, its eyes glowed like moons. Its teeth were bright and sharp.

I grabbed my bag and ran, I wasn’t sure where. I found myself at the back door and slammed against the board, falling outside. I was halfway down the street when I realized the purring was gone. And that I had been screaming. I ducked down a side street and made my way downtown. I spent the night walking in and out of convenience stores and the bus station, eating my last candy bar. Tomorrow I’d find a job, get some money. I kept remembering what the man had told me about the church on Haley Street: “It ain’t no place where anything holy lives anymore.”

 

—end—

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Short-Stories from “Invisible Men,” (1960) Edited by Basil Davenport. Part Three. Reviewed by Jeff Baker.

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Basil Davenport’s Invisible Men (Part Three)

Slesar and LeBlanc

By Jeff Baker

 

Continuing my review of the stories in the 1960 anthology “Invisible Men,” edited by Basil Davenport. As promised last time; two tales of mystery.

“The Invisible Prisoner” by Maurice LeBlanc. This review is going to skirt very close to spoilers. A mysterious burglar breaks into a house and steals money. The burglar ducks out of the house into a walled area of the city pursued by the owners of the money and several locals. There is no way for the man to escape “Unless old Nick carries him over the walls.” A mysterious stranger arrives in town and is able to deduce where the burglar has hidden himself. Fans of Maurice LeBlanc will have no trouble identifying the stranger before the reveal at the end of the story. The story, of course, is a mystery with invisibility used as a metaphor, as it involves a clever “impossible crime,” in this case the disappearance of the burglar. In the book’s introduction the story is described as involving “extremely clever robbers and cleverer detectives.” But that’s not even the whole story!

I confess I had never read one of LeBlanc’s stories before, and found this one highly enjoyable. It is also the only story in the book I had not read back in the 1970s and holds up well for a mystery originally published around the turn of the last century.

Like LeBlanc, Henry Slesar has rock-solid credentials as a mystery writer, and his “The Invisible Man Murder Case” does not disappoint. In it, a formula for invisibility is used by a clever killer. Not quite a “fair play” detective story, but almost. Likewise a lot of fun. Slesar’s television credits include Alfred Hitchcock Presents and hundreds of soap opera scripts.

Next time, we close out this review as two masters of horror pull back the curtain onto invisible worlds.

 

—end—

Posted in Basil Davenport, Books, Fiction, Henry Slesar, Invisibility, Invisible Men, Maurice LeBlanc, Mystery, Reviews, Science Fiction, Short-Stories, Uncategorized | Leave a comment

Keep On Keeping On–Jeff Baker, March 22, 2020

 

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Photo by Pixabay on Pexels.com

 

The world has gone mad to-day, and good’s bad to-day, and black’s white to-day, and day’s night to-day, and that gent to-day you gave a cent to-day, once had several chateaus.—Cole Porter, from “Anything Goes.”

Things are going nuts right now, and myself and a lot of writers I am online with are wondering what to do. A lot of us are hunkered-down in our homes and trying to keep “business as usual” as usual as possible by keeping up our regular schedule or just plain writing, maybe more than usual.

About three-and-a-half years ago I wrote a column for Queer Sci-Fi (thanks, Scott!) which touches on some of these issues. It is as topical now, as it was then. Here it is:

(From Boogieman In Lavender, November 13, 2016.)

So how should writers react? Write with passion, continue to type the good fight and do not be intimidated. Which brings me to Marcel Ayme…

Marcel Ayme (1902-1967) was a French novelist, children’s writer, playwright, humorist and short-story writer, the latter being what he is best known today. He was in Paris during World War Two, the time of the occupation by the Germans. He wrote on political issues while at the same time writing stories, many of them using Paris of the time as a setting for fantasies like “The Man Who Walked Through Walls” or “Across Paris.”

One of my favorite Ayme stories, “Tickets on Time” incorporates the realities of wartime rationing with a twist; Parisians are issued time cards that determine how long they will exist that month. The vanishings and reappearances lead to amusing and odd complications.

The point is; Ayme’s typewriter did not go silent. Our word processors, pens, typewriters and other writing implements of choice should not either.

Write with passion. Keep on keeping on.

 

—end—

 

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Short Stories from “Invisible Men” edited by Basil Davenport, 1960 (Part Two.) By Jeff Baker.

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Basil Davenport’s Invisible Men

Beaumont, Bradbury and Gold

By Jeff Baker

More stories form Basil Davenport’s 1960 anthology “Invisible Men.” The anthology which exposed me to a bunch of stories from the pulp days (and earlier) and became something of an influence on my own writing.

“The Vanishing American” by Charles Beaumont. One of my favorite stories by the author best known for his “Twilight Zone” scripts. This story was omitted from the fine Beaumont collection “Perchance to Dream” but is available elsewhere. The story touches on familiar Twilight Zone territory: the little man in an office job; the ordinary everyday setting and then the touch of strangeness that Beaumont specialized in.

“Invisible Boy” by Ray Bradbury is quintessential Bradbury; the implication of witchcraft, the hint of Halloween, the young boy character. Stirred together in a heady brew.

“Love in the Dark” by Horace L. Gold. Back in the 1970s I’d never heard of Gold, the editor of Galaxy Magazine and a fine writer. This story is another of my favorites in the anthology and was reprinted with an explanation of how it came to be written, in Gold’s collection “The Old Die Rich.” Livy Ransom has a strange feeling that someone is watching her undress at night. What follows is a delightful blend of sci-fi and whimsy. (“Long blue hair and wide blonde eyes?”)

Two tales of invisibility and mystery in the next installment.

Posted in Basil Davenport, Books, Charles Beaumont, Fantasy, Fiction, Horace L. Gold, Invisibility, Invisible Men, Ray Bradbury, Reviews, Short-Stories, Uncategorized | Leave a comment

Short Stories from “Invisible Men,” 1960; Edited by Basil Davenport. Reviewed by Jeff Baker.

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Basil Davenport’s Invisible Men; a review by Jeff Baker

Part One: London, Collier, Pratt, Wells and de Camp

I stumbled across Basil Davenport’s 1960 paperback anthology “Invisible Men” around 1975, at a used bookstore in Albuquerque, NM. I’ve liked stories and comic books involving invisibility since I first saw “My Favorite Martian” and later read H.G. Wells’ novel “The Invisible Man,” and so I picked this one off the shelf and when I found it had a story by H.G. Wells in it, I bought it. Nearly a dozen stories on variant themes of invisibility, marketed for young adults with a preface for students and teachers which did not talk down and was spoiler-free (a term that did not exist in that era of bell bottoms and Bicentennials.) The gist of it all was the book introduced me to authors and themes which would affect the course of my writing career, so the least I can do is review the stories here. Not in order, but I will start with the first story in the book:

“The Weissenbroch Spectacles” by L. Sprague de Camp and Fletcher Pratt. I am not sure if I had read the paperback of “The Compleat Enchanter” yet, but I’m sure this was my first encounter with de Camp and Pratt’s humorous fantasy series set in Gavagan’s Bar, collected as “Tales From Gavagan’s Bar” which I found when I had just started college around ’78. The story is whimsical, uses invisibility in a different way than I’d expected and also manages to reference Benjamin Franklin. At the time I didn’t dream I’d want to write funny fantasy of this type and actually would years later.

“The New Accelerator” by H.G. Wells. I don’t think I’d read this in the Wells collection in the South High School Library in Wichita, but Wells was one of a few prose writers whose work I actually looked for back then. I would read through an anthology (usually of ghost stories) and not pay any attention to the author’s names. These days, I look for the author’s names first. This story tells of a scientist and his drug which speeds someone up temporarily. The invisibility is the result of super speed; a concept I was familiar with from comic books. (I read far more comic books than short stories back then!) Wells’ story features descriptions of the area the accelerated narrator and scientist travel through and others moving in seeming slow motion. Loads of fun.

Almost a companion piece to the Wells story; “The Shadow and the Flash” by Jack London presents two scientists, life-long rivals who have each devised a method of invisibility. I love London’s stories, even though there is a scene where he posits that a Black man would be nearly invisible in a nearly dark room which might not go over as well today.

Wells and London probably fired up my latent interest in the magazine writers of short popular fiction of the pre-pulp era.

John Collier is a legend of short story writing and “The Invisible Dove Dancer of Strathpheen Island” is a reason why. A fantasy with a downbeat ending and the work of a master at the top of his craft.

I’ll write more about these stories in a future post. And the anthology is readily available online. Seek it out.

—end—

Posted in Basil Davenport, Books, Fantasy, Fiction, Fletcher Pratt, H. G. Wells, Horror, Invisibility, Invisible Men, Jack London, John Collier, L. Sprague DeCamp, Reviews, Science Fiction, Short-Stories, Uncategorized | Leave a comment